Contact by email here or call 07812 173226 / outside the UK +44 7812 173226

See end of this page for reviews of William's work.

Read about Williams recent work with the North See Theatre company.

Location: Bath and London Eye colour: Brown
Height: 6'1" (185cm) Hair colour: Dark brown
Playing age: 26 - 40 years Eye Colour: Mid length
Role types: Eastern European, Hispanic, Latin American, Mediterranean, White

Skills

Accents & Dialects: (* = native)

American-Midwest, American-New York, American-Southern States, Bristol, French, Irish-Northern, Irish-Southern, London, RP*, Scottish-Standard, Welsh-Standard, West Country*, Yorkshire

Languages: (* = mother tongue)

English*, French, Spanish

Music & Dance: (* = highly skilled)

Ballet, Ballroom Dancing, Baritone, Jazz Dancing, Jazz Singing, Jive, Latin American, Period Dancing, Rock Singing

Performance:

Comedy, Singer-Professional

Sports: (* = highly skilled)

Archery, Cricket, Horse-jumping*, Karate*, Kick Boxing*, Martial Arts*, Roller Skating*, Scuba Diving*, Stage Combat*, Tennis*

Vehicle Licence's:

Car Driving Licence

Other Skills:

Animal Handling, Computer Literate

Stage

2010 - Earl Fitzwilliam Darcy, Darcy's Dilemma - a one man play, The Theatre, Berwick Upon Tweed/North See collaboration, Dr Miles Gregory (Consultant Director)
2007 - Diggie Wheeler & 1st WW Soldier/Tramp, A Warwickshire Testimony, Bridge House Theatre Company, Alison Sutcliffe
Darcy (Earl Fitzwiliam) - Darcy's Dilemma, Minerva Productions, Paul Creswell
Romeo - Romeo and Juliet, Spin Off Theatre Company, Onna Oalent Biff - Death Of A Salesman, Next Anne Garner
Marco - A View from a Bridge, Next Anne Garner
Cosroe - Prince of Persia, Tamburlaine, Sam Shammas
Sir Dauphine Eugenie - Epicoene, Sam Shammas
Accolyte/Cardinal - Hadrian VII, Chichester Festival Theatre, Terry Hands
Handel, Scarlatti, Natural Theatre Company, Ralph Oswick
Nigel - Night of the Fox, Sam Shammas
Imogen - Cymbeline, Baron's Court, David Evans Reiss

Television

Charles II - How to be a Prince, BBC Television, David Hutt
Mikey - Books of the Decades - The 70's, BBC Television, Mike Powell
Journalist - Without Motive (2), Meridien/Alibi, Ferdinand Fairfax
Simon - Spa Saga, Bath Media Production, Tim Hammond
Rough Bloke - Harbour Lights

Film

Lord Simon McNichols - Starting Over, Gate Television, Giles Foster
Feature Film - William (a Martial arts Instructor/Fighter), Underground, Park Entertainment /Intense Productions, Chee Keong Cheung
James Stuart - (Prince's Equerry), Berti & Elizabeth, Carlton/Whitehall, Giles Foster
Feature Film - Atilla's First Officer, Atilla, USA Networks, Dick Lowry

Short film

Sergeant David Gilmour - The Krichevna Project, HTV Productions, Mark Ames Simon - Tight Run, Birmingham Centre, Julie Frampton

Ident

Dragon Slayer - Dragon's Den BBC ident, BBC /RedBee Media, Guy Manwaring

View Dragon's Den video here (video 02 on the player menu)

The Scotsman: "Mickleburgh handles Austen's English skilfully and gives a heartfelt portrayal of a man torn between his notions of social status and the wishes of his heart.I'm not sure how much any of this would mean to people not familiar with Jane Austen's text, or at least with the film or TV versions of it. But Jane Austen fans will enjoy hearing her words spoken so well."


Darcy's Dilemma - review 2010

Jane Austen Festival Octagon Theatre, Royal Photographic Society, Bath

Perhaps only a female writer could pick up where Austen left off in Pride and Prejudice, with Darcy's rejected proposal and get away with it. Only women really understand the fantasy value of the smouldering anti-hero with a heart of gold.

Using vocabulary from the original teen-romance pulp fiction and intertwining plot references, Sue La Blond has created a great spin off in her one-hour monologue, Darcy's Dilemma, depicting the aftermath of his rejected proposal in the library at Rosings.

From his breathless entry, William Mickleburgh puts new life into Austen's straight-talking Darcy exposing a tender underbelly that fans of the novel knew was there, but never quite got to see.

If Colin Firth put the danger into Darcy, in the recent BBC adaptation of the famous novel, William Mickleburgh dug out the desperation of the anti-hero's unrequited passions to convincing effect.

William's emotional performance showcased Darcy's vulnerability and brought alive the lost hours writing 'the letter' that sways Elizabeth.

He surprised the audience with a softer, more youthful Darcy instead of the arrogant rogue so often played.

Entertaining and a great introduction to the novel if you haven't read it, it's high octane in a Georgian sort of way and definitely more enjoyable than an episode of Eastenders.

Emma Gypps

 

A Warwickshire Testimony

Sir Derek Jacobi

".. I have just watched your tape and it's very good indeed; I wish you every success. You look great on a horse and impressive in the gym and I particularly enjoyed the Austen extract .."


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